Cinema Review: Sleepaway Camp II & III are campy, fun sequels to the original
Last week at the New Beverly Cinema, I watched a double
feature of Sleepaway Camp II: Unhappy
Campers (1988) and Sleepaway Camp
III: Teenage Wasteland (1989). These are sequels to the cult classic
slasher horror film Sleepaway Camp
(1983), which was written and directed by Robert Hiltzik. The sequels were
directed by Michael A. Simpson, and have more of a comic tone than the original
film. Even though the sequels are campy, they are fun to watch. The rock star
of the films is Angela Baker—a complicated, psychologically damaged, yet
entertaining and likeable horror character.
The original film tells the story of Angela, played by
Felissa Rose, who experiences traumatic events at an early age. She is sent to
Camp Arawak with her cousin and is bullied there due to her introverted nature.
Angela exacts her revenge by slowly killing the offending campers one-by-one.
There is a twist ending to the story, but I won’t ruin it for those who haven’t
seen the film. In Sleepaway Camp II,
Angela is played by Pamela Springsteen—Bruce Springsteen’s younger sister.
Wearing her hair in a single braid down the back of her head, she masquerades
as a camp counselor. She sings campfire songs and presents herself as a role
model. At the same time, she gleefully kills any campers who misbehave. In one
especially disgusting scene, Angela drowns her victim in an outhouse toilet
filled with human waste and leeches.
In Sleepaway Camp III, Angela is back with a new approach—and
a new hairstyle. She infiltrates a local camp for troubled teenagers, posing as
a camper and wearing sunglasses to disguise her true identity. Once again,
Angela exacts her own brand of social justice by killing those who disrespect
others, abuse drugs, or fornicate. She gets very creative with the kills and delivers
many humorous one-liners. For example, Angela hoists a privileged girl to the
top of a flagpole, then releases the rope causing the victim to fall straight
to the ground head-first. When one of the counselors asks about the girl,
Angela replies “She has a headache.” At the end of the story, Angela is
seriously stabbed by one of the girls, and is taken away in an ambulance.
Inside the ambulance, Angela kills the two technicians, implying her survival
for future sequels.
Although Sleepaway
Camp may be deemed to be a rip-off of Friday
the 13th, Angela is much more than a female version of Jason
Voorhees. She has more personality than Jason, and the audience can be made to
sympathize with her. What gives Angela her allure is that she seems so nice,
yet she is so sick. Angela is a victim of childhood trauma, and she acts out by
getting rid of teenagers who offend her or others. In doing so, she is trying
to protect innocent young people from being damaged the way she was. On the other
hand, the viewer may feel that Angela has gone too far. It is this moral
ambiguity that makes Angela such an interesting character. Robert Hiltzik,
creator of the original film, now owns the rights to the franchise. Let’s hope
that rumors of a reboot are true, and not just another campfire tale.
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